CAOs (Crazy Ass Onions)

As a gardener who is attempting to grow some of our own foods, when it comes to onions I am a complete failure. I have yet to grow an onion that has an edible bulb.(I did great with garlic) But I seem to have mastered onions as abstract art! This image shows the beginnings of just how whacky those guys can get. I swear they are dancing and singing there way through the season. I am quite sure I was supposed to do somethng before they got to this state. That was weeks ago. Now there are bulbettes where all those higgledy piggledy stems originate from the main stems. I just know that this is the inspiration for my next quilt.

BTW- I did finish my last piece "Celebrating Normalcy" and depending on what happens with the show I just entered it into, I'll post images later. FYI-- there are some shows where they will not accept pieces that have shown up on websites- period. So to leave that option open I'll be keeping the finished image to myself for now. And yes-- they DO check.

What do these things have in common?

Making coffee

emptying the dishwasher

doing laundry

reading a book

cooking dinner

taking out the trash

walking the dog

checking email

brushing my teeth

taking a bath

They are all activities that are not a part of daily activity while one is experiencing a crisis. As the crisis resolves, these activities slowly come back into one's life. As each is re-introduced a feeling of celebration greets the activity. I call it celebrating normalcy. That is what my current piece is all about.

The back of my piece is made of hand-dyed silk noil in a charcoal coloration. Silk screened on top in several pastel hues are the above activities. To me they capture the essence of everyday life that slips to the margins of daily activity when a loved one is sick, a flood occurs, power goes out for days, or an earthquake shakes our world. I have experienced it a few times and have always marveled at the preciousness of those daily activities we so easily take for granted. But it is just such activiity which separates us from crisis. It is how we know life will again return to normal. It is the re-introduction of the mundane that gives us hope of life being closer to what we imagine it should be.

Today I was finally back in my studio after weeks of chasing the dime. I finally got hte quilt layered and basted and did my first row of stitching- the horizon line that runs across the middle. Aaah normal!

Celebrating Normalcy

For several years I have been fascinated with what is happening on the horizon opposite where the big show is going on. At sunrise I like to look west and at sunset I like to look east. The way the light acts, the way the existing part of the day is dissolving just makes me grin. I was especially taken by an exhibition I saw years ago in Memphis by artist Burton Callicott. This piece of his is entitled Moonrise Naucet Beach. I always liked that image but only recently realized it was exactly the kind of image I was loving. The moon is a full moon rising just after sunset. The day is still receeding and the colorations above the horizon are slowly changing to darkness. The only reason we are looking that direction is that the moon is on the rise. But the quietness, the stillness and the subtleness prevail. So I have been wanting to do a piece that captures that feel.

Introducing Magic Time for "Celebrating Normalcy". For those of you who haven't been following me for long-- Magic Time is the point at which I first put a quilt up on the design wall. To me this is where it breathes its first breath of life and "becomes"a piece of art. Until this point it exists only in my mind. As you can see, the blocks are not yet assembled nor joined- they are simply stuck to the flannel design wall in the expected final layout.

Today I managed to get the top half pieced into rows. I am not trying to copy Callicott's piece but am using his coloration of strata as a reference. I want this piece to be VERY peaceful. Like looking over the ocean on a very cloudy day, where you can't quite tell where the water ends and the sky begins. This won't be QUITE that subtle. I opted to keep the line of land that separates the sky from the water.

I can tell that I have matured somewhat as an artist in that, although at this point the piece isn't going exactly the direction I originally envisioned, I am comfortable enough with my technical skills and vision to have a reasonable expectation that I'll be able to draw it closer to my vision in the remaining steps. This could be the stitching, possible layering, surface design options--who knows?

Celebrating Normalcy--What's with the name? As anyone who has been through a major event can tell you-- whether a medical crisis or a major weather event, a terrorist bombing, an earthquake or similar-- that when life begins to have a few elements of normalcy once again, hope can blossom and be very exciting. We can find that our attention can once again be distracted from the "EVENT" and we can look around and see beauty again. For me, that is symbolized by being able to see the opposite horizon following a sunset or sunrise.

Last year's ice storm, Mom's periodic medical crises, this year's heavy snow-- all qualify as times to recover from.

Since I am not sure where this piece will be taking me, I invite you along to discover it with me.
So you can be oriented- each bull's eye block (4 pieces that comprise a circle) is 8 inches across before assembling. The finished piece will approximate 56" tall and 63" wide.

This is the first piece in over a year where I have dyed fabrics specific to the piece and each block is built for it. Last year each piece I worked on( except one) was made up of leftovers from previous work. While my income has been sucking air thus far this year, I am hopeful that it will be a more prosperous year. That calls for creation!!!!

Let's enjoy the view.

Nekkid yoga

This is a series I started based on Aubrey Beardsley's 1920s drawings. His yoga girls were all very very slender, often wearing high heels, pearls and earrings while posing. Sheesh! I have redrawn them much plumper and, hopefully, more realistic of today's female yoga participant.

Regarding their creation: the flesh tone fabric is hand-dyed silk. The major background fabric is a black linen to which I applied paint using a silk screen I created that is simply the text of many different yoga poses plus their Indian names. The polka dot fabric was purchased. The black edging is black linen. Actually the backs have been silk screened as well with a simple texture and the edges wrapped around to the front. Before the final wrap and application of fusible I trimmed the fabric using a wavy rotary tool. Then I went back and couched down a gray yarn to finish it. I am doing this in several color ways. I did hte black first simply because I used pigment instead of thicked dyes to print and it was therefore faster to get to a proto-type stage.

I am looking for feedback and pricing suggestions. They are each about 9" x 12".

I know that the detail is hard to see-- but each figure is outline stitched plus contour stitched to show som eof the plumpness. I'll shoot a detail shot later.

Botanicals

For the lst week I have been playing in the arena of Botanicals. Next month I have the pleasure of accepting an invitation to have a booth at the Best of Missouri Market at the Shaw Botanical Gardens. When I was doing shows regularly I would have given my eye teeth to get this invite.

I've been trying to develop a new series based on four trees that grow in our region--Post Oak, Southern Magnolia, Osage Orange ( Bois D'arc), and Dogwood. My concept-- should this prove marketable, is to choose four species every year and feature them for the year-- exploring their elements-- leaves, silhouette, wood grain, seed pods, flowers, medicinal, culinary and industrial uses and even unusal history that involves that tree.



The first tree I began with is the Post oak- because we lost our 200 yr old post oak that shaded our entire backyard in 2007. What you see here is a very simple wreath made from block prints created with meat packing trays. I then went back and free motion stitched to highlight the vein structure. I think you can click each image and it'll blow up larger so you can see better. I'm starting with wreaths because they can be something of a smapler for the variosu stamps I am creating.

This next grouping is on black linen. You can see the various elements-- oak leaves, oak acorns, osage orange fruit, dogwood leaf and dogwood berries, magnolia seed pod. It looks very flat, I know. But my plan is to outline stitch to bring out details. The white lines are just chalk to make sure I keep it even-ish.

The same bunch of elements on dyed silk noil. I added some smaller dogwood leaves.

This piece is probably the closest to completion- all the elements are there and I've included more of the dogwood berries.

This one you can see the two tones of the magnolia seed pod.

Where am I going with this? not sure. I'm sure they'll look quite different once I quilt them. But I could sure use some feedback. I don't wish to do boring, trite or cute.

And now for something REALLY different...

This small piece is a playful approach to texture. All the silks are hand dyed. some I used potato dextrin to create and under-texture. Some parts I used copper leaf scraps sprinkled over the base with tuille on top to hold in place. The silver fish were created using my fish stamp made with a glue gun outline then silver leaf was attached using matte medium. Then lots of stitching. The "flies" are beads made from metallic painted tyvek rolled and wrapped using mettalic threads and blasted with a heat gun. I attached them using silver embroidery floss.

Next to color as my favorite aspect of creating art is texture. This is a fun way to capture and create it. I think I'll be playing with this some more. What do you think? Should I spend time on exploring this?

It may seem I am cranking out the work lickety split these days. Well yes and no. This piece hung on the wall for a few weeks while I figured out what to do to complete it. I have a deadline of October 3rd for a high volume art festival where I'll need lots of smaller works. Crank crank crank.

Sweeping changes--progess

Ok. I lied. I had planned on showing you the back but I got more interested in the front first. This is where I left the piece today. I have cut apart the silk with the copper leaf, applied black misty fuse and attached. Then I stamped phrases that are timely with current events.

Here you can see the individual "islands" of copper leaf before I printed the phrases.

This is a detail shot showing a few of the phrases. Included in this shot are: corporate responsibility, home gardens, eco-friendly, stimulus, consensus building. There are about 15 in all. The paint used is a copper metallic acrylic. The copper leaf is real.

New work--at last!!!

This is my latest piece. Entitled "Sweeping Changes". You are seeing it after "magic time" when it has been pieced together but not yet layered or quilted. I have had a game going on this year and recent work-- not yet posted--has all been created using leftovers from previous projects. This one has 400 quadrants all made with leftover pieces... and I didn't even use half of them!
The concept here is the major changes we are currently experiencing in our government and economy-- much of it based on the new policies in place from the election of Barack Obama.
There is a vague black line of demarcation running northeast to southwest. Below that line will be what has been the result of sweeping. Above the line will be what has been swept away.

The area below the black has been swept and what is left are positive (+ signs) in real copper leaf. Here you can see the copper leaf in the process of being cleaned up. The sheets of copper leaf are being brushed to remove the unattached leaf from the silk organza. The color of the silk is too vibrant, I think, so I am over-dyeing using color-hue dyes to deepen it.

The area above the black line is the area that has what has been swept. The first indication is the spirals of "dust". These were created using freezer paper and paint sticks with a stencil brush.

What's next? Well you haven't seen the back yet. It has been dyed and I'll post that progress tomorrow. I have already done it.

The next new step for me will be attaching the silk organza with the copper leaf. I screwed up and applied the copper to the wrong side of the left piece. So I have to work out a solution-- that doesn't involve starting over. The copper leaf had to be ordered online from an art supply and I DON'T have that kind of time-- so time to improvise. I think I'll probbly cut the silk into smaller pieces and attach via black misty fuse in small groupings. There will be much writing/ text on the piece. The bottom will contain things that have changed in a positive way since Obama's election. Above the line will be things that have been or are in the process of being modified or eradiciated. DEEP!!!! Well for me, anyway.

I am finally highly motivated. There is a particular exhibition I am creating this for. I have a July 1 deadline to get images in. Pedal to the metal!!!!!!!!

Lots of new work

This piece is entitled "Freefall" in recognition and/or celebration of both the craziness of the stock market and earmarking the season. These are gingko leaves in motion. The panels on the right have gingko leaves in gold leaf--not foil--leaf.

The leaves on the left side are done as thread lace. Except for some tuille, every bit of those leaves were done with freemotion stitching. Except for a couple of sashing pieces all was hand-dyed silk. I love the rich intensity of colors.

This piece is still in progress. There is more than one layer. The bottom later is noil that has been dyed and painted with stamps and silk screens. The top layer is divided into 2 main sections. The left is dyed and painted silk organza. In addition, I have used gold leaf to add the alchemy symbols and the woven patch. The right side is also silk organza. It is using more of the pieces I dyed last year when I dyed the fabric for the previous piece (Freefall). The sections have not been assembled with batting yet. I have no idea yet how I'll quilt it.

Here you can get a better idea of the layers. All those circles were printed using a few of my dozens of empty spools.

Another detail showing the right side. After last night's election and Obama's speech I am feeling more optimistic about life in general and especially our future as a country. By the way-- the name of this piece is "Energy of Hope".

I have no idea where this piece is going. It is made up of many of my scraps from previous circle quilts. I added a line of multi-colored couched yarn. This, so far, is just pinned to the wall in rows. I am not sure yet whether it'll be vertically oriented or horizonally. I, for sure, have no idea how to quilt it.

So, while I have been in my studio feeling somewhat aimless, I have found all sorts of directions to investigate. If has been fun.

I think I'll go back to celebrating and drinking in that warm glow of hope. I remember that feeling. It has been a while. I liked it a lot.

Jon will be home tomorrow with his CD completed and ready for publication. This is a landmark event in our lives and I expect that forever after our lives will reflect the changes this CD will have wrought.

Live Water Progress

This is the current state of the three panels -- front side.
I decided I would, using surface design techniques, somewhat duplicate the front on the back
Here is a detail of the back panel. You can see I have used the fish again- painted this time. I first dyed the panel using thickened dyes. Hollis Chatelain you have nothing to worry about from me!!! Then to blend the colors more I went back and stamped more color with my 2 favorite stamps. One uses those floor tile spacers- the tiny ones. The other is just pieces of foam stuck onto a piece of plexiglas. I used acrylics and textile medium when needed to thin.
Another of the panels.
This shows all three back panels. Hopefully you can see that they are somewhat a duplicate of the front. I am not trying for an exact match- just a disorientation.

live water

Swarms= schools of fish
To create the fish I first made a stamp using a glue gun to outline the fish shape onto silk organza. Then I came back and painted in the shading. I added fusible web to the back side of the organza. Then stitched around the fish shapes to create appliques. Then I cut away the extra organza and then heat fused the fish down.

This larger view shows how the fish flow onto the first and third panels.

My next step is to dye the backs. I plan to use thickened dyes to paint on the dyes in such a way that it looks like you are seeing the front from the back.

Magic time! Live Water

Here are the blocks up on the wall. In this lighting it isn't terribly brilliant. In real life the colors glow! It'll be divided into three panels each 5 blocks wide. At least this piece is small enough to get all the parts in one photo.

I've used the "excitement energy" to get the first 6 rows of the left panel assembled. Then I went home for lunch and pretty much collapsed with the creeping crud that is going around. I had hoped to get it completely pieced over the weekend but somehow doubt my energy will carry me that far. cough cough, hack hack.

EEEEWWWWW! Spring is coming!

The very first sign of SPRING in the Ozarks is the smell of skunk. They are on the move and getting hit on the road. So it is the olfactory sense that first kicks in the anticipation of the end of cold weather. That is good news as we are currently being hit with 36 hours of "wintery mix." There is a 1/4" coat of ice on the car and we are only 6 hours into the 36. I know this because I had to go out to the car to bring in my sketch book.



As crude as this drawing is, it is the sketch for my newest work--"Visions of Plenty:Live Water"

We live in one of the few places in the US that not only has lots of acreage with live water but the cost is generally still under $2000/acre... sometimes lots less. As the race for water gets more heated having live water on one's property will get more valuable. What is "live water?" It is water that is moving-- a creek, a river, a spring.

This piece is well underway. I have the blocks with 2 layers of circles thus far. If I can get down to my studio (2 blocks away--downhill) I'll get the third layer on and get them quartered. Tentative "Magic Time" is scheduled for Sunday. I'll probably have to get out the crimpons (those ice traction thingies) to get down the hill. Oh yeah. I don't have any of those. Hmmm. Guess I'll stay put and make curry instead.

Now what?

Last month I finally finished "Slipstream Adventure." I was expecting to start a new job in outside sales that would be now taking up much of my time and creative energy. The job didn't materialize. Now most of my art friends are shouting, "It's a sign! Just do your art!" As much as I wish that was my only focus, the reality is that I spent much of 2006 traveling the country showcasing my wares and 2007 paying interest on those expenses. So I either need to do a whole lot more commissions, sell much of what I have already done, find other art outlets or... gulp... get a job. My work ethic is such that when I take on a job I give it my all. So I know I won't be creating my artwork on the level I have previously if I get a job--even a part-time one.... and NOOOOO network marketing is not the answer for me. Been there, done that, still got the mugs, platters, t-shirts, stained glass awards, etc.

I know that one of the key definitions of insanity is to keep doing the same thing while expecting a different outcome. On the other hand, I can't tell you how many bios I've read of successful artists, musicians, or writers that contain something along the line of--- "well if I had given up 2 weeks earlier I wouldn't be here." Certainly mixed messages from the universe.

I have never had a problem with persistence. That I have (as long as it doesn't involve deprivation.)

So my solution has several points. Like my annual goal setting- it reads more like a business plan than anything else.

1. Create work that satisfies me first. Right now this means large scale, intense pieces. It might also mean exploring more thoroughly surface design techniques. But I have found a voice I like with those darn circles.
2. Build up my shibori scarf wholesale business. I have a listing on Wholesalecrafts.com which reaches 16,000 retailers throughout the country. Update images regularly so my work stays near the top in "new work."
3. Plan on doing 2-3 wholesale shows in 2009 featuring the scarves. Schedule now.
4. Stay up to date in knowledge of color trends for fashion and commercial decor.
5. Get my Rebel Quilter Gallery up and open to the public before the spring tourist traffic hits the area. Get brochure done that can be handed out at the local tourist info sites.
6. Do a thorough inventory of existing works. Make sure they are all properly documented and whereabouts known. You'd be surprised how complicated this can get when you have over 75 created pieces that are at least 2 ft square.
7. Enter lots of exhibitions with exisiting work.
8. Send out exhibition proposals to non-profit galleries and museums for solo shows. Target is 3-5 solo exhibitions per year. Team up with others to promote small group shows.
9. Respond to requests for qualifications for large scale public art indoor projects.
10. Get more savvy in my internet news releases so "successes" are noted by the public on a larger scale and journalists seek me outas an authority on artquilts, surface design, and marketing.
11. Get those who have voiced an interest in commissioning my work to go ahead and let me get started. (I love commissions that let me do my style)
12. Schedule and promote a series of surface design classes to be taught in my studio.
13. Line up more teaching and trunk show gigs for pay.
14. Find a way to pay for a part-time studio assistant or intern.
15. Continue to make small framed works from remaining blocks of bigger quilts.
16. Assist my husband in his massage newsletter business target and secure more clients.
17. Be open to opportunities that come my way for a real "Job." My ego is strong enough that I'd want it to be a job that demands quality performance and high rewards. Outside sales is most likely since it would allow a more flexible schedule--allowing time off for my mother's health issues and my monthly artquilt group meetings which are out of town.
18. Keep myself open to finding a gallery or two that can handle my large-scale work and actually MOVE them.

I'm sure that list will grow.

I have started a new piece. I'll post in progress photos next time.

Done at last! Slipstream Adventure

The 2 left panels of Slipstream Adventure.
The 2 right panels. As soon as I get the REAL photography done I'll compose a single image that lines them all up. Right now I can't do that. This is the 4 panels hanging in my gallery at the front of the studio. As you can see I "wrapped" the third panel around the corner.

This is a detail shot showing the quilting as well as the foiling done with fusible thread.

I am so glad I did this huge project. As I was diving into it I was reminded of the whole house remodel I did in Florida several years ago. Each day it is just a matter of seeing where I was in the full scheme of the project. This project was started 6 months ago. I took off about 5 weeks overall. It's final size is 76" x 154" or about 6 1/2 ft x almost 13 ft.

There is a certain relationship one develops with a project of this magnitude. Understanding its parts and being able to break it down into those pieces is what makes it confrontable. Getting the sequence right is a bit trickier and involves being able to think several steps ahead of where you are. For instance-- I couldn't do the fusble thread/ foiling until I had already done the side binding because I wouldn't be able to press the whole piece once the foil was on it-- it would have melted back off and left a mess. Also-- thinking ahead far enough to tear off the side strips that became the facing before assembling the layers enabled me to have facings that matched the backs. This is something one learns from DOING.. as opposed to simply planning or thinking about it.

This project's inspiration came primarily from a vision I had of a coloration. On August 16th, 2007 I posted an image of a drawing I did with colored pencils. It was my initial vision of where this project was going. This isn't the first time I was inspired simply by wanting to see what happens when I put certain colors together. I'm not aware of other artists having this as an inspiration point. Perhaps it happens all the time. Maybe I'm just weird. I'm okay with that.

As I write this I am awaiting an offer from a prospective employer. I'm thinking my next piece will be along a theme of "When push comes to shove."-- which pretty much covers where things have been at. So I am thinking along the lines of the juxtapositioning of the desire to create art, the need to have an income and the irony that I've worked harder in the last 6 years than I have in my life and that none of those years count at all toward the needed credited quarters of "employment" that allows me to have earned the opportunity at 65 of using Medicare. I don't know about you-- I knew you had to earn social security. But I didn't know you had to earn Medicare. I thought you just paid for it every month. Seems like there is the potential for a social issue there. I never heard of someone not qualifying for Medicare--unless they were a foreign illegal or something.

Thanks for going the distance with me. I WILL have quality photos posted here as soon as I get them. I will include the backs as well. I love reading your comments and appreciate them immensely.

the big tease--Slipstream Adventure

Here is a photo of most of the third panel quilted. I have finished all the quilting on all four pieces--sigh. Make that YIPPEE!!!!!!!!!
This is a detail shot of panel number 2. You can still see my chalk lines for dividing and conquering the overall quilting. The circles with the winding threads goes through all four panels in five different colors. In each panel the sizes shift--getting larger and spiraling all the way.
Again you can see the winding circles plus still the chalk. It'll go away when I get all the steaming done. In order to get all four panels to be exactly the same size I am steaming, trimming and doing the vertical binding on all. Then I'll come back and do the horizontal binding-- more like facing actually.

Also-- I am going to do a little trick using the Charlotte's Fusible Web to add foil to each of the spiral circles. It is a neat little product from Superior threads my friend Marlene told me about. It is a thread form of fusible web. I'll stitch it in the sprials using it as a bobbin thread-- but it can't be done until all the steaming, ironing etc is done. Essentially this means I'll be finishing the whole thing and then coming back, stitching with the fusible web and then laying in the foil. It'll be a fairly subtle touch- I hope.

One of the aspects that most intrigues me is the journey of discovery as a project of this magnitude evolves. You may remember my initial colored pencil drawing-- go back a few months to see it. In August I started dyeing fabrics and began the assembly. I had NO idea then about anything other than the overall color flow. As it began to be assembled the story line about the "Slip Stream Adventure" came into play while listening to a Van Morrison CD. From that began a dialog with myself about how to create the imagery of a slip stream. So the back got the imagery and then I had to translate that to the front in the form of quilting.

To do that I first basted each piece completely so that I was stitching from the back. I stitched around each of the painted circles and outlines of the slipstreams using monofilament thread. This created landmarks that I could see from the front. Then I completely re-basted making the front my stitching platform.

The next step was to divide and conquer the overall quilting. I used an echo pattern but divided the surface into rough triangles of about 6". Then I stitched from the outer edge to the center of each and moved to the next. The circles and pathways between them were marked in chalk. After the overall quilting was done then I went back and did the circles, pathways and slipstream.

So all that is left is the facings and the foil. Hold your breath! It'll happen!

So --hope that holds you for a few more days until I figure out the photography thing.

I have targeted this weekend for final, total, no going back completion. Then I have to figure out how to photograph it! My plan is to shoot all four separately and then assemble them in photoshop. The next runway of learning raises its ugly head!!! (if you know the workflow for this please email me!!!)

Overall I am very pleased with this project. I started dyeing the fabrics in August. I took over 5 weeks off completely between trips to Canada and Florida and one miserable week sick.

You might wonder why I took on a projectof this scale. Besides being an eternal optimist... I have wanted do to large scale commissioned work for a long while now. The last large scale work I had done was in 2003. I was applying for a large scale project and wanted to make sure that if I got that job that I knew what I was in for. Since 2003 I have learned much and was able to apply it. Also-- doing this project with its grand scale had all sorts of logistical details that I wanted worked out before tackling an even larger project. Next week I'll finally hear whether my work is being considered for the Emerson Electric Auditorium Lobby. Fingers are mucho crossed. Their budget is extensive and it could make a major difference in how my next few months go artwise.

Thanks for taking the ride with me. It has been fun.

Visions of Plenty-> progress

At last! I have finished piecing the four sections.

I LOVE the way the color moves across the piece. The redder section becomes the light sourcepoint and all the "imagery" will radiate out from there.
This is the back of the reddish section (section A). I am using freezer paper to act as a stencil for painting on the swirling vortex that surrounds the slip stream. The circles vary in size and are created using several silkscreens and are applied using acrylic paints.
Here are the a & b sections. They are reversed so they correspond to the fronts of similar color. That means the reddish one is on the right.
These are the c & d sections. The freezer paper is still adhered. I figured I'd surprise you with the full effect after I get them quilted. I am currently awaiting paint drying on section A back before I layer and baste before quilting. I'll be initially quilitng from the backside- so have to pin with the back up. First I'll be outlining all those circles in invisible thread and then the swirling vortexes. After that is done I'll flip it over and re-pin and quilt from the front. That way the circles will act as landmarks and I can quilt the design that is on the back from the front. Clear as mud? Feel free to ask questions.

Visions of plenty: slipstream adventure

Here three out of four of the panels have the rows pieced. I wish I knew how to move these photos around. The left side of the second photo is the right side of the first photo.

Overall I am very pleased with the color movement. I should have the fourth panel's rows pieced by tomorrow. Then I'll start the backs- dyeing of same.

For the quilting--I am picturing not only tons of bubbles but for them to be arranged to appear to be flowing out of a slipstream. That means they'll have movement to them and not appear static.

As you can see, the panels shrink as they get pieced. So they are aleady 6 inches shorter and 4.5 inches narrower. They'll get another 6 inches shorter as I piece the rows together.

Magic time! Visions of Plenty

I finally got "Visions of Plenty" on the design wall. It'll be 12 blocks tall and 22 blocks wide. That translates to more or less 7 ft tall and 12+ ft wide. (somehow I wound up with fewer blocks than I estimated I had) It'll be divided into 4 sections of width- which will allow me to maintain good control while quilting this huge sucker. I got the 1st 6 rows of the left most section pieced today. It took about 5 hours just to lay out the blocks on the wall. (That black thing is my rolled up black paper photo backdrop)

I'm excited about this piece. The immense size - done on spec- is insane. I haven't yet decided on how I'll quilt it. But one thing I do know-- I'll be concentrating on lots of variety in the quilting itself. I'm considering doing something somewhat similar to how I handled the quilting on Yikes Stripes-- lots of varying sized, overlapping circles. Like bubbles gone mad! Each bubble would have a unique thread color and quilting pattern. I want the quilting to visually flow from one section to the next.

It is a statement about my frame of mind that I am doing a piece this large with this name. I've had an extraordinary level of losses this year. My father died, our 200 year old post oak died, my dearest friend is moving to Prague next week, and earlier this week I ran over my 17 yr old cat. ugh! So I am conjuring up lots to replace these losses. I'm creating bigger, bolder and happier.

As I get more of it pieced I'll shoot more photos. While still piecing I'll begin dyeing and printing the backs as well. Yes there will be pictures. Please keep your eyes out for an opportunity for me to sell this piece. It would be great going up a big stairwell--because of it being in several sections-- or perhaps a large wall in a conference room or bank lobby, perhaps that airport concourse I've been hoping for. Maybe even a hospital lobby or great room. The final price will be in the $19,000 range.

I love working this large. It gives me a feeling of expanse and grandeur. Since I am not doing the art festivals anymore--yep, decision reached-- I will be focusing on creating work that is either for commission, purely to delight me or for specific exhibitions.

I spent so much time trying to second guess the public while doing art shows that I kinda lost the joy of just creating a piece because it moved me. Hopefully these newer works will reflect that new found joy. I'd love your feedback!

Visions of plenty

This is the preliminary sketch of my newest quilt. It moves from Turkey red in the top left through eggplant in the mid range to tobacco brown in the lower right. There are flashes of golden yellow throughout. It is going to be QUITE large. The vertical height will be about 8 ft and the width somewhere between 15-18 ft. It'll be broken down into5-6 panels.


This is the stack of cut blocks and circles for applique. Rather daunting, huh? It is over 300 blocks so you are looking at 600+ layers of fabric stacked up-- from bridal silk satin to cotton flannel-- all except a few metallics are hand dyed. That yellow piece is one of the metallic fabrics of the "flash". The first round of stitching took over 5 hours--that's at 1 minute per block-- which is about right. Next step is to cut a smaller circle out of the square from the underside. That in itself will take another 5-6 hours. Then onto round 2.

But before I stack the pieces up for round 2 I will take about 10% of the next group of circles and stamp them with metallic x's. This will add a limited amount of additional texture and interest to an otherwise image free area.

Why am I doing this huge piece? To make sure I have evidence that I can truly work "large."
I hope that I'll be able to find ways to exhibit it as well as eventually sell it. Do you know a venue that needs a really large piece? 8ft x 18ft? Hey! It is still early in the process-- it could be 12 x 12 or 6 ft x 24ft. . We're looking at 144sq ft. Want it bigger? Get hold of me NOW!

My plan is to very tightly quilt the surface with color blends and flashes--many, many different patterns. Oh for a long arm! My plan has been to buy a longarm when I get a commission to do a very large piece. But in the meantime, I'll break it down into about 5-6 panels like I did with my previous triptychs ( Ridgeline: Afterglow & Burning Leaves)

See? Finally, Pictures!