This is an "in progress" photo of one of the quilts I did as a commission last fall. I have all the layers down but have not cut the blocks into quadrants.This week has been kinda unreal. Since my last post, my father, who I mentioned had had a stroke on Apr. 22ND has died. His memorial service was on the 7Th. The last while has been a time of re-orienting for myself as well as my mother. Thankfully, he went pretty quickly, considering the damage the stroke did. We are healing and moving forward- bit by bit.
Good news came last week when I got a call from Kim Ritter. Unfortunately for her, her son is having some tough health problems and she opted to step down from her upcoming workshop at the Studio Art Quilt Associates national convention. Her topic was going to be "How to go professional without tripping over your feet." In her stead I have been asked to teach it. Wow! I am SO honored!
So for the last week I've been re-working the workshop I taught in February at the Springfield Visual Arts Alliance. I'm trying to figure out how much I can cover in 50 minutes and still sound knowledgeable. I'll be teaching it 4 times...and getting to go to the Quilt National opening as well. There is much synchonicity going on here. The only reason I was able to help Kim out was because I had cancelled all my shows (due to Dad's health) and the weekend was free.
After the intensity of the last few weeks I am thrilled to have the chance to re-connect with many firends who will be at the conference as well as get a jolt of inspiration always prevalent at Quilt National. Plus it will be a large boost on my resume' for teaching on a national level.
I am realising that there seems to be a niche I might be able to fill in the teaching market.
After I finish the 2 commissions that have been interrupted by my dad's scene, I am really looking forward to playing with collagraphs. I have had an interest in printmaking for a while. My personal fascination has been with printing on fabric. I saw work done recently using plexiglass and cardboard and printed onto watercolor paper. The process is so freeing. I'll think it'll first turn up on my backs and as I develop the techniques you may find them on the fronts-- or as the quilt itself in framed work. Since I don't have any shows scheduled I'll be able to focus on it sooner than I might have previously.
You two who have commissions outstanding- I'm on it!
